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Joe Hill arrasa en las candidaturas de los Premios Eisner Comic Digital
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"No estoy para nada interesado en la industria del cómic." Alan Moore
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Joe Hill arrasa en las candidaturas de los Premios Eisner

El hijo de Stephen King triunfa como guionista de cómics

Un artículo de Redacción - Introducido el 08/04/2011
Joe Hill arrasa en las candidaturas de los Premios Eisner
Etiquetas: Eisner / King / / / Premios / Marvel / DC COMICS / Sector /

Son los galardones más prestigiosos del mundo del cómic y, por ello, sus nominaciones ya dicen mucho de cómo respira la industria. Al menos en cuanto a la calidad de sus obras. Y por lo visto, con 14 nominaciones, DC Comics le gana la partida este año a Marvel.

Además, el principal protagonista de estas nominaciones ha sido Joe Hill, hijo de Stephen King y creador de las dos obras nominadas: Locke & Key (incluido mejor guión y mejor serie) y The Cape como mejor número único.

Aquí va el listado completo de nominados.

Mejor Historia Corta
▪ "Bart on the Fourth of July," by Peter Kuper, in Bart Simpson #54 (Bongo)
▪ "Batman, in Trick for the Scarecrow," by Billy Tucci, in DCU Halloween Special 2010 (DC)
▪ "Cinderella," by Nick Spencer and Rodin Esquejo, in Fractured Fables (Silverline Books/Image)
▪ "Hamburgers for One," by Frank Stockton, in Popgun vol. 4 (Image)
▪ "Little Red Riding Hood," by Bryan Talbot and Camilla d'Errico, in Fractured Fables (Silverline Books/Image)
▪ "Post Mortem," by Greg Rucka and Michael Lark, in I Am an Avenger #2 (Marvel)

Mejor Número Único
▪ The Cape, by Joe Hill, Jason Ciaramella, and Zack Howard (IDW)
▪ Fables #100, by Bill Willingham, Mark Buckingham, and others (Vertigo/DC)
▪ Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben (Dark Horse)
▪ Locke & Key: Keys to the Kingdom #1: "Sparrow," by Joe Hill and Gabriel Rodriguez (IDW)
▪ Unknown Soldier #21: "A Gun in Africa," by Joshua Dysart and Rick Veitch (Vertigo/DC)

Mejor Serie Regular
▪ Chew, by John Layman and Rob Guillory (Image)
▪ Echo, by Terry Moore (Abstract Studio)
▪ Locke & Key, by Joe Hill and Gabriel Rodriguez (IDW)
▪ Morning Glories, by Nick Spencer and Joe Eisma (Shadowline/Image)
▪ Naoki Urasawa's 20th Century Boys, by Naoki Urasawa (VIZ Media)
▪ Scalped, by Jason Aaron and R. M. Guéra (Vertigo/DC)

Mejor Serie Limitada
▪ Baltimore: The Plague Ships, by Mike Mignola, Christopher Golden, and Ben Stenbeck (Dark Horse)
▪ Cinderella: From Fabletown with Love, by Chris Roberson and Shawn McManus (Vertigo/DC)
▪ Daytripper, by Fábio Moon and Gabriel Bá (Vertigo/DC)
▪ Joe the Barbarian, by Grant Morrison and Sean Murphy (Vertigo/DC)
▪ Stumptown, by Greg Rucka and Matthew Southworth (Oni)

Mejor Serie Nueva
▪ American Vampire, by Scott Snyder, Stephen King, and Rafael Albuquerque (Vertigo/DC)
▪ iZombie, by Chris Roberson and Michael Allred (Vertigo/DC)
▪ Marineman, by Ian Churchill (Image)
▪ Morning Glories, by Nick Spencer and Joe Eisma (Shadowline/Image)
▪ Superboy, by Jeff Lemire and Pier Gallo (DC)

Mejor Publicación para Niños
▪ Amelia Earhart: This Broad Ocean, by Sara Stewart Taylor and Ben Towle (Center for Cartoon Studies/Disney/Hyperion)
▪ Amelia Rules!: True Things (Adults Don't Want Kids to Know), by Jimmy Gownley (Atheneum/Simon & Schuster)
▪ Binky to the Rescue, by Ashley Spires (Kids Can Press)
▪ Scratch9, by Rob M. Worley and Jason T. Kruse (Ape Entertainment)
▪ Tiny Titans, by Art Baltazar and Franco (DC)
▪ The Unsinkable Walker Bean, by Aaron Renier (First Second)

Mejor publicación para adolescentes
▪ Ghostopolis, by Doug TenNapel (Scholastic Graphix)
▪ Hereville: How Mirka Got Her Sword, by Barry Deutsch (Amulet Books)
▪ Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia)
▪ Smile, by Raina Telgemeier (Scholastic Graphix)
▪ Yummy: The Last Days of a Southside Shorty, by G. Neri and Randy DuBurke (Lee & Low)

Mejor Publicación de Humor
▪ Afrodisiac, by Jim Rugg and Brian Maruca (Adhouse)
▪ Comic Book Guy: The Comic Book, by Ian Boothby, John Delaney, and Dan Davis (Bongo)
▪ Drinking at the Movies, by Julia Wertz (Three Rivers Press/Crown)
▪ I Thought You Would Be Funnier, by Shannon Wheeler (BOOM!)
▪ Literature: Unsuccessfully Competing Against TV Since 1953, by Dave Kellett (Small Fish Studios)
▪ Prime Baby, by Gene Luen Yang (First Second)

Mejor Antología
▪ The Anthology Project, edited by Joy Ang and Nick Thornborrow (Lucidity Press)
▪ Korea as Viewed by 12 Creators, edited by Nicolas Finet (Fanfare&midot;Ponent Mon)
▪ Liquid City, vol. 2, edited by Sonny Liew and Lim Cheng Tju (Image)
▪ Mouse Guard: Legends of the Guard, edited by Paul Morrissey and David Petersen (Archaia)
▪ Trickster: Native American Tales, edited by Matt Dembicki (Fulcrum Books)

Mejor Cómic Digital
▪ Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
▪ The Bean, by Travis Hanson, www.beanleafpress.com
▪ Lackadaisy, by Tracy Butler, www.lackadaisycats.com
▪ Max Overacts, by Caanan Grall, occasionalcomics.com
▪ Zahra's Paradise, by Amir and Khalil, www.zahrasparadise.com

Mejor Trabajo Basado en la Realidad
▪ It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
▪ Picture This: The Nearsighted Monkey Book, by Lynda Barry (Drawn & Quarterly)
▪ Special Exits: A Graphic Memoir, by Joyce Farmer (Fantagraphics)
▪ Treasury of XXth Century Murder: The Terrible Axe Man of New Orleans, by Rick Geary (NBM)
▪ Two Generals, by Scott Chantler (McClelland & Stewart)
▪ You'll Never Know Book 2: Collateral Damage, by Carol Tyler (Fantagraphics)

Mejor Nuevo Álbum
▪ Elmer, by Gerry Alanguilan (SLG)
▪ Finding Frank and His Friend: Previously Unpublished Work by Clarence ‘Otis' Dooley, by Melvin Goodge (Curio & Co.)
▪ Market Day, by James Sturm (Drawn & Quarterly)
▪ Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia)
▪ Wilson, by Daniel Clowes (Drawn & Quarterly)

Mejor Reimpresión
▪ The Amazing Screw-on Head and Other Curious Objects, by Mike Mignola (Dark Horse)
▪ Beasts of Burden: Animal Rites, by Evan Dorkin and Jill Thompson (Dark Horse)
▪ Motel Art Improvement Service, by Jason Little (Dark Horse)
▪ The Simpsons/Futurama Crossover Crisis, by Ian Boothby, James Lloyd, and Steve Steere Jr. (Abrams Comicarts)
▪ Tumor, by Joshua Hale Fialkov and Noel Tuazon (Archaia)
▪ Wednesday Comics, edited by Mark Chiarello (DC)

Mejor Adaptación de otros Trabajos
▪ Dante's Divine Comedy, adapted by Seymour Chwast (Bloomsbury)
▪ The Little Prince, by Antoine de Saint-Exupéry, adapted by Joann Sfar (Houghton Mifflin Harcourt)
▪ The Marvelous Land of Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)
▪ 7 Billion Needles, vols. 1 and 2, adapted from Hal Clement's Needle by Nobuaki Tadano (Vertical)
▪ Silverfin: A James Bond Adventure, adapted by Charlie Higson and Kev Walker (Disney/Hyperion Books)

Mejor Antología de Tiras Gráficas
▪ Archie: The Complete Daily Newspaper Strips, 1946–1948, by Bob Montana, edited by Greg Goldstein (IDW)
▪ 40: A Doonesbury Retrospective, by G. B. Trudeau (Andrews McMeel)
▪ George Heriman's Krazy Kat: A Celebration of Sundays, edited by Patrick McDonnell and Peter Maresca (Sunday Press Books)
▪ Polly and Her Pals Complete Sunday Comics, vol. 1, by Cliff Sterrett, edited by Dean Mullaney (IDW)
▪ Roy Crane's Captain Easy, vol. 1, edited by Rick Norwood (Fantagraphics)

Mejor Antología de Cómics
▪ Dave Stevens' The Rocketeer Artist's Edition, edited by Scott Dunbier (IDW)
▪ The Horror! The Horror! Comic Books the Government Didn't Want You to Read!, edited by Jim Trombetta (Abrams Comicart)
▪ The Incal Classic Collection, by Alexandro Jodorowsky and Moebius (Humanoids)
▪ Lynd Ward: Six Novels in Woodcuts, edited by Art Spiegelman (The Library of America)
▪ Thirteen "Going on Eighteen," by John Stanley (Drawn & Quarterly)

Mejor Edición de Material Internacional
▪ It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
▪ The Killer: Modus Vivendi, by Matz and Luc Jacamon (Archaia)
▪ King of the Flies, Book One: Hallorave, by Mezzo and Pirus (Fantagraphics)
▪ The Littlest Pirate King, by David B. and Pierre Mac Orlan (Fantagraphics)
▪ Salvatore, by Nicolas De Crécy (NBM)

Mejor Edición de Material Asiático
▪ Ayako, by Osamu Tezuka (Vertical)
▪ Bunny Drop, by Yumi Unita (Yen Press)
▪ A Drunken Dream and Other Stories, by Moto Hagio (Fantagraphics)
▪ House of Five Leaves, by Natsume Ono (VIZ Media)
▪ Naoki Urasawa's 20th Century Boys, by Naoki Urasawa (VIZ Media)

Mejor Escritor
▪ Ian Boothby, Comic Book Guy: The Comic Book; Futurama Comics #47–50; Simpsons Comics #162, 168; Simpsons Super Spectacular #11–12 (Bongo)
▪ Joe Hill, Locke & Key (IDW)
▪ John Layman, Chew (Image)
▪ Jim McCann, Return of the Dapper Men (Archaia)
▪ Nick Spencer, Morning Glories, Shuddertown, Forgetless, Existence 3.0 (Image)

Mejor Guioista / Dibujante
▪ Dan Clowes, Wilson (Drawn & Quarterly)
▪ Darwyn Cooke, Richard Stark's Parker: The Outfit (IDW)
▪ Joe Kubert, Dong Xoai, Vietnam 1965 (DC)
▪ Terry Moore, Echo (Abstract Studio)
▪ James Sturm, Market Day (Drawn & Quarterly)
▪ Naoki Urasawa, Naoki Urasawa's 20th Century Boys (VIZ Media)

Mejor Dibujante / Entintador
▪ Richard Corben, Hellboy (Dark Horse)
▪ Stephen DeStefano, Lucky in Love Book One: A Poor Man's Story (Fantagraphics)
▪ Rob Guillory, Chew (Image)
▪ Gabriel Rodriguez, Locke & Key (IDW)
▪ Skottie Young, The Marvelous Land of Oz (Marvel)

Mejor Dibujante / Artista Multimedia
▪ Lynda Barry, Picture This: The Nearsighted Monkey Book (Drawn & Quarterly)
▪ Brecht Evens, The Wrong Place (Drawn & Quarterly)
▪ Juanjo Guarnido, Blacksad (Dark Horse)
▪ Janet Lee, Return of the Dapper Men (Archaia)
▪ Eric Liberge, On the Odd Hours (NBM)
▪ Carol Tyler, You'll Never Know Book 2: Collateral Damage (Fantagraphics)

Mejor Portadista
▪ Rodin Esquejo, Morning Glories (Shadowline/Image)
▪ Dave Johnson, Abe Sapien: The Abyssal Plain (Dark Horse); Unknown Soldier (Vertigo/DC); Punisher/Max, Deadpool (Marvel)
▪ Mike Mignola, Hellboy, Baltimore: The Plague Ships (Dark Horse)
▪ David Petersen, Mouse Guard: Legends of the Guard (Archaia)
▪ Yuko Shimizu, The Unwritten (Vertigo/DC)

Mejor Colorista
▪ Jimmy Gownley, Amelia Rules!: True Things (Adults Don't Want Kids to Know), Amelia Rules!: The Tweenage Guide to Not Being Unpopular, by Jimmy Gownley (Atheneum/Simon & Schuster)
▪ Metaphrog (Sandra Marrs and John Chalmers), Louis: Night Salad (Metaphrog)
▪ Dave Stewart, Hellboy, BPRD, Baltimore, Let Me In (Dark Horse); Detective Comics (DC); Neil Young's Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)
▪ Hilary Sycamore, City of Spies, Resistance, Booth, Brain Camp, Solomon's Thieves (First Second)
▪ Chris Ware, Acme Novelty Library 20: Lint (Drawn & Quarterly)

Mejor Grafismo
▪ Darwyn Cooke, Richard Stark's Parker: The Outfit (IDW)
▪ Dan Clowes, Wilson (Drawn & Quarterly)
▪ Jimmy Gownley, Amelia Rules!: True Things (Adults Don't Want Kids to Know), Amelia Rules!: The Tweenage Guide to Not Being Unpopular, by Jimmy Gownley (Atheneum/Simon & Schuster)
▪ Todd Klein, Fables, The Unwritten, Joe the Barbarian, iZombie (Vertigo/DC); Tom Strong and the Robots ofDoom (WildStorm/DC); SHIELD (Marvel); Driver for the Dead (Radical)
▪ Doug TenNapel, Ghostopolis (Scholastic Graphix)
▪ Chris Ware, Acme Novelty Library 20: Lint (Drawn & Quarterly)

Mejor Publicación relacionada con Cómics
▪ Alter Ego, edited by Roy Thomas (TwoMorrows)
▪ The Beat, produced by Heidi MacDonald (www.comicsbeat.com)
▪ ComicBookResources, produced by Jonah Weiland (www.comicbookresources.com)
▪ ComicsAlliance, produced by Laura Hudson (www.comicsalliance.com)
▪ The Comics Reporter, produced by Tom Spurgeon (www.comicsreporter.com)
▪ USA Today Comics Section, by Life Section Entertainment Editor Dennis Moore; Comics Section Lead, John Geddes (www.usatoday.com/life/comics/index)

Mejor Libro relacionado con Cómics
▪ Doonesbury and the Art of G. B. Trudeau, by Brian Walker (Yale University Press)
▪ Fire and Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics, by Blake Bell (Fantagraphics)
▪ The Oddly Compelling Art of Denis Kitchen, by Denis Kitchen and Charles Brownstein, edited by John Lind and Diana Schutz (Dark Horse Books)
▪ Shazam! The Golden Age of the World's Mightiest Mortal, by Chip Kidd and Geoff Spear (Abrams Comicarts)
▪ 75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)

Mejor Diseño en una Publicación
▪ Dave Stevens' The Rocketeer Artist's Edition, designed by Randall Dahlk (IDW)
▪ Polly and Her Pals Complete Sunday Comics, vol. 1, designed by Lorraine Turner and Dean Mullaney (IDW)
▪ Return of the Dapper Men, designed by Todd Klein (Archaia)
▪ 75 Years of DC Comics: The Art of Modern Mythmaking, designed by Josh Baker (TASCHEN)
▪ Two Generals, designed by Jennifer Lum (McClelland & Stewart)

Paseo de la Fama

▪ Ernie Bushmiller
▪ Jack Jackson
▪ Martin Nodell
▪ Lynd Ward

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